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"This stack cuts through the mix with a crunchy bite. With no ring the sustain is dry and pleasing to the ear. Its trashy quality is maintained through a wide variety of tensions, with my personal favorite being a light tension that gives its Fat Stack namesake. It functions in my set-up mainly as a time keeper, but it also works extremely well with choppy accents. Coupled with a snare it has a great organic hip hop clap sound."
- Matt Garstka
"Quick as a bullet, hurts like one too. Abrasive but musical. Perfect for when you need to cut and make your point, but make it quick. The Bullet Stack can be used on accentuate in grooves or fills, or utilized as a time keeper. What I love about the Bullet Stack is that no matter how quickly you need it to be present and then disappear, it always delivers."
- Luke Holland
"When struck at the shoulder of the top china, my Super Stack produces an aggressive mid-range bark that projects with incredible ferocity. Its fierceness cuts through any wall of sound and allows you to slice through even the most crowded soundscape. When played softly at the edge, it produces a wide and washy sizzle, perfect for accents and punctuations at a more moderate volume. When played with the stick tip at the shoulder, its short and piercing sound is reminiscent of a trashy hihat. The Super Stack is super loud, super fast, and super short. It allows the drummer to override and supersede even the most dense frequency chaos and make a clear and consice percussive statement in every musical situation. By adjusting the pressure of the wing nut, you can adjust the length of the sustain and dial up your perfect stack attack and decay. This is the most versatile stack combination you’ll find."
- Thomas Lang
"What I really like about my Deep Hats is that they have so many musical applications.They fill the sonic gap between my main hihats, and my crashes. I play them half open as a time keeper, very similar to crash-riding, however the Deep Hats sound softer and more articulated.That is something I prefer. They have the right amount of wash and trashiness, combined with a soft, dark tone. Absolutely perfect for my style of playing."
- Anika Nilles
