1. Warm-up With Both Hands
   When playing two different meters simultaneously, both limbs should be equal as strong, in order to avoid rhythmic confusion. The example we use is a four against three combination. It is like paradiddles alternating, only now it’s the meters that alternate


2. Two polymeters mutually combined
   The next step is to increase the dominance of one of the polymeters by using different sound sources. Play the right hand polymeter (4 note melody) on 2 toms: listen to the audio track for an example.


3. Super Dominant polymeters
   By omitting one beat per four beats the polymeter (4 note melody) will now become a super dominant polymeter.

Lesson #3: Dominant Polymeters in ¾

Download the pdf of the lesson on the right. It contains all three variations of the Dominant Polymeters in ¾.

For more information about Bruno, click his artist page linked to this lesson.
Or, click directly to the page of his drum book \'Dia Meters, not for drummers only\'