Following the success of her 1977 album Here You Come Again, Dolly again teamed up with producer Gary Klein for her follow-up album. Heartbreaker furthers her transition into pop music and features disco influences as well.
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The album cover, a gatefold design depicting Dolly in a series of surreal, dream-like images, was designed by graphic artist Ed Caraeff, who had also designed the cover art for Here You Come Again.
Recording
?The album was recorded in March 1978 at Sound Labs Studio in Los Angeles, California.
March 7, 1978
Heartbreaker
I Really Got the Feeling
Nickels and Dimes
March 8, 1978
Baby I'm Burnin'
We're Through Forever ('Til Tomorrow)
?I Wanna Fall in Love
?March 9, 1978
It's Too Late to Love Me Now
Sure Thing
March 10, 1978
The Man
?With You Gone
The album was released July 17, 1978, on LP, cassette, and 8-track.
Singles
?"Heartbreaker" was released as the first single from the album on July 24, 1978. It debuted at number 38 on the Billboard Hot Country Songs chart dated August 19. It peaked at number one on the chart dated September 30, its seventh week on the chart, and remained there for two additional weeks. The single charted for 13 weeks. It also reached number 12 on the Billboard Adult Contemporary chart and number 37 on the Billboard Hot 100. It also peaked at number one on the Cashbox Country Singles chart and number 56 on the Cashbox Top 100 chart. In Canada, the song peaked at number one on both the RPM Country Singles chart and the RPM Adult Contemporary chart, as well as peaking at number 41 on the RPM Top Singles chart. "Heartbreaker" was also successful outside North America, peaking at number 20 in the Netherlands and number 34 in Belgium.
"It's Too Late to Love Me Now" was released as a single in late 1978 in South Africa. The release did not chart.
"Baby I'm Burnin'" and "I Really Got the Feeling" were released as a double A-side single on November 6, 1978. "Baby I'm Burnin'" was aimed at pop radio and peaked at number 25 on the Billboard Hot 100, number 11 on the Billboard Adult Contemporary chart, and number 48 on the Billboard Hot Country Songs chart. It also peaked at number one on the Cashbox Country Singles chart and number 34 on the Cashbox Top 100 chart. The song saw success in Canada as well, peaking at number 30 on the RPM Top Singles chart, number nine on the RPM Adult Contemporary chart, and number one on the RPM Country Singles chart. The single was also a top 40 hit in Australia, peaking number 34. A 12-inch disco remix single was issued titled Dance with Dolly featuring remixes of "Baby I'm Burnin'" and album track "I Wanna Fall in Love". The disco remix helped "Baby I'm Burnin'" peak at number 15 on the Billboard Dance Club Songs chart. A promotional video was filmed for "Baby I'm Burnin'" featuring Dolly performing the song in a red dress against a black backdrop and surrounded by red spotlights.
?"I Really Got the Feeling" was aimed at country radio and debuted at number 34 on the Billboard Hot Country Songs chart dated December 2. It peaked at number one on the chart dated January 20, 1979, its eighth week on the chart. The song charted for 13 weeks.
Additional promotion
Dolly and Carol Burnett co-headlined the CBS TV special Dolly & Carol in Nashville on Valentine's Day 1979. A snippet of "Heartbreaker" was the only song from the album performed on the special, as part of a heart-themed medley. RCA Records provided over 3,000 radio stations with copies of the album and boxes of candies for giveaways. Participating radio stations designed their own promotions, which included call-in giveaways, drawings, a poetry contest, and one in which winners were assigned gender-specific prizes (candy for ladies, records for men).
The album debuted at number 46 on the Billboard Top Country Albums chart dated August 12, 1978. It peaked at number one on the chart dated September 9, its fifth week on the chart, where it remained for nine consecutive weeks. The album charted for a total of 45 weeks. It also peaked at number 27 on the Billboard 200. The album topped the RPM Country Albums chart in Canada, as well as peaking at number 20 on the RPM Top Albums chart. It also charted in Australia where it peaked at number 67.
?The album charted at number four on the Billboard Top Country Albums year-end chart for 1978 and number 10 on the chart for 1979.
The album received a Cashbox Award in 1978 for Female Vocalists – Highest Debut.
It was certified Gold by the Recording Industry Association of America on August 16, 1978, for shipment of 500,00 copies. ?It was certified Gold by Music Canada ?on December 1, 1978, for shipment of 50,000 copies.
"Baby I'm Burnin'" received both a Country Award and a Pop Award from BMI in 1979.
Credits are adapted from the album liner notes.
Performance
Anita Ball – background vocals
Jeff Baxter – guitar synthesizer
Paulinho Da Costa – congas
Richard Dennison – duet vocal, background vocals
David Foster – piano
Jim Gilstap – background vocals
Jerry Hey – trumpet
David Hungate – bass
Kim Hutchcroft – soprano-tenor baritone sax
Augie Johnson – background vocals
Jim Keltner – drums, special effects
Steve Madaio – trumpet
Myrna Matthews – background vocals
?Joe McGuffee – steel guitar
Michael Omartian – piano
David Paich – piano
Dean Parks – acoustic guitar, electric guitar
Gregg Perry – piano
Dolly Parton – lead vocals
Mac Rebennack – piano
Bill Reichenbach – trombone
Stephanie Spruill – background vocals
Larry Williams – tenor sax, flute
Amanda Winbush – background vocals
David Wolfert – acoustic guitar, electric guitar
Production
Nancy Atkins – production coordinator
Harry Bluestone – concertmaster
Frank DeCaro – album coordinator, music contractor
Nick DeCaro – string arrangements
?Linda Gerrity – production coordinator
Jim Gilstrap – vocal coaching
Don Henderson – assistant engineer
Jerry Key – horn arrangements
Gary Klein – producer
Charles Koppelman – executive producer
Dolly Parton – producer, rhythm arrangements, vocal coaching
Gregg Perry – rhythm arrangements, string arrangements, vocal coaching
Armin Steiner – engineer, remixing
Linda Tyler – assistant engineer
Larry Williams – horn arrangements
David Wolfert – rhythm arrangements
Other personnel
Ed Caraeff Studio – art direction, photography, design
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