Bo Diddley
* December 30, 1928
United States
Solo Artist
Bo Diddley was born as Ellas Bates on Sunday December 30th, 1928 on a small farm near the town of McComb, Mississippi, USA, in rural Pike County, close to the Louisiana border, the only child of Ethel Wilson and Eugene Bates. He had 3 half-brothers and a half-sister. He was adopted by his mother's cousin, Mrs. Gussie McDaniel, along with his cousins Willis, Lucille and Freddie, and adopted the name Ellas Daniel.

In the mid-1930's the family moved to the south side of Chicago. Soon after, he began to take violin lessons from Professor O.W. Frederick at the Ebenezer Missionary Baptist Church. He studied the violin for twelve years, composing 2 concertos for the instrument. For Christmas in 1940, his sister Lucille bought him his first guitar, a cheap Harmony acoustic. It was at this time that he acquired the nickname Bo Diddley ("...Bo Diddley is me; to tell ya the truth, I don't know what it (the name) really is...") from his fellow pupils at the Foster Vocational High School in Chicago.

The newly-named Bo Diddley had long been fascinated by the rhythms that he heard coming from the sanctified churches. A frustrated drummer, he tried to translate the sounds that he heard into his own style. Gradually he began to duplicate what he did with his violin bow by rapidly flicking his plectrum across his guitar strings. "I play the guitar as if I'm playing the drums....I play drum licks on the guitar."

He continued to practice the guitar through his early teens. Shortly before leaving school he formed his first group, a trio named The Hipsters, later known as The Langley Avenue Jive Cats, after the Chicago street where he lived. Upon graduation he pursued a variety of low paid occupations including truck driving, building site work and boxing, playing locally with his group to supplement his income.

Around this time he married his first wife Louise Woolingham, but the marriage did not survive. A year later he married Ethel "Tootsie" Smith, a marriage that lasted just over a decade.

In 1950 maracas player Jerome Green joined the group, followed a year later by harmonica player Billy Boy Arnold. After more than a decade of playing on street corners and in clubs around Chicago, Bo Diddley finally got the chance to cut a demo of 2 songs that he had written; "Uncle John" and "I'm A Man".

After various rejections from local record labels, (most notably Vee-Jay), in the spring of 1955 he took the recordings to brothers Leonard and Phil Chess, owners of Chess Records, with studios located at 4750-2 South Cottage Grove Avenue in Chicago. They suggested that he changed the title and the lyrics of "Uncle John" to more reflect his own unique personality.

The 2 songs were re-recorded at Bill Putnam's Universal Recording Studio at 111 East Ontario in Chicago on Wednesday March 2nd 1955, and released as a double A-side disc "Bo Diddley"/"I'm A Man" on the Chess Records subsidiary label Checker Records. It went straight to the top of the rhythm'n'blues charts, establishing Bo Diddley as one of the most exciting and original new talents in American music.

Inspired by musicians ranging from Louis Jordan to John Lee Hooker and from Nat "King" Cole to Muddy Waters, Bo Diddley was now set to help shape and define the sound and presentation of rock music for all time.

From Elvis Presley to George Thorogood, from The Rolling Stones to ZZ Top, from The Doors to The Clash, from Buddy Holly to Prince, and from The Everly Brothers to Run DMC, all acknowledged the unique influences of Bo Diddley upon their styles of music:
his pounding and hypnotic Latin-tinged beat, his oblong, square, pointed, fur-covered, leather-bound, rocket-tailed, custom-built Gretsch electric guitars,
his innovative use of special effects such as reverb, tremolo and distortion to make his guitars talk, mumble and roar like jet engines, his use of female guitarists and musicians, including Lady Bo, Duchess, Cookie and, most recently, Debby Hastings and Margo Lewis, his distinctive all-black outfit complete with hat and over-sized eagle badge, his hopping and strutting around the stage, playing his guitars with his teeth, over his head, between his legs, and every which way...

((c) Copyright David Blakey 1998-2005, via:
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